Mostrar mensagens com a etiqueta New Age. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta New Age. Mostrar todas as mensagens

domingo, 22 de fevereiro de 2026

Alphaville - Sounds Like a Melody


O Brilho Efémero de "Sounds Like a Melody": Uma Análise à Obra-Prima dos Alphaville
Lançada em 1984, "Sounds Like a Melody" permanece como um dos marcos indeléveis da Synth-pop europeia, distinguindo-se não apenas pela sua sonoridade, mas pela complexidade que esconde sob uma camada de sintetizadores vibrantes. Numa época em que a maioria das bandas do género utilizava a tecnologia de forma rudimentar para emular sons de cordas, os Alphaville elevaram a fasquia ao criarem uma orquestração eletrónica sofisticada que servia de moldura para uma narrativa profunda sobre a futilidade e a natureza efémera da fama. A canção vive, essencialmente, de um contraste fascinante: soa como um tema pop luminoso e cativante, mas a sua letra carrega uma melancolia densa sobre a vacuidade dos relacionamentos e do estrelato.

O âmago da composição explora a dicotomia entre a ilusão e a realidade. Enquanto o título e o refrão transportam o ouvinte para uma atmosfera onírica, sugerindo que algo "parece uma melodia" ou um sonho perfeito, o verso seguinte desfere um golpe de realismo ao afirmar que "é apenas uma memória" (but it's just a memory). Esta progressão lírica ilustra a sensação de que as experiências mais gratificantes podem ser superficiais e passageiras; é o equivalente musical a estar no auge de uma festa, plenamente consciente de que todo aquele brilho se extinguirá assim que as luzes se apagarem.

Esta visão crítica estende-se ao estilo de vida "Jet Set" dos anos 80, com Marian Gold a utilizar a ironia para dissecar a cultura das celebridades e o desejo desesperado de imortalidade. Através de versos como "Show me your moves / I'm looking for a vision", a banda reflete a busca incessante por uma imagem perfeita e por estímulos novos, algo que se tornou a norma com a ascensão da MTV. A música acaba por descrever encontros rápidos e intensos — romances de uma noite que, embora cinematográficos no momento, se revelam vazios de significado real.

Contudo, o aspeto mais subversivo de "Sounds Like a Melody" reside na sua natureza de metamúsica. Escrita sob forte pressão da editora discográfica para ser um êxito comercial imediato, a banda respondeu ao desafio com um gesto de rebeldia intelectual. Criaram a melodia "orelhuda" que lhes era exigida, mas inseriram nela uma letra que questiona precisamente a "música vazia" e descartável produzida pela indústria fonográfica. Ao cantar sobre palavras vãs e melodias que desaparecem, os Alphaville estavam, na verdade, a comentar a própria engrenagem comercial de que faziam parte, elevando um simples tema de rádio ao estatuto de crítica social intemporal. Videoclipe original e letra


Sounds Like a Melody (versão longa)
(Alphaville)

It’s a rendition of a dream
A fish-eye lens or a golden beam
The stars are playing on a silver screen
In a movie that I've never seen

Show me your moves
I'm looking for a vision
The only rule is: no more rules
And I'm on a mission

[Chorus]
It's a way you look
It's a way you feel
It sounds like a melody
But it's just a memory
It's a way you look
It's a way you feel
It sounds like a melody
But it's just a memory

Your lipstick on my cigarette
The shadow of a silhouette
The music's over and the sun is set
But I'm not ready for a sunrise yet

Show me your moves
I'm looking for a vision
The only rule is: no more rules
And I'm on a mission


[Chorus]

A versão orquestrada de "Sounds Like a Melody" é, para muitos críticos e fãs, a realização plena do potencial que a canção já demonstrava em 1984. Embora a versão original usasse sintetizadores para emular cordas, o projeto "Eternally Yours" (lançado em 2022) permitiu que a banda gravasse o tema com a German Film Orchestra Babelsberg.

Se a versão original de "Sounds Like a Melody" já era audaz pela sua tentativa de mimetizar a grandiosidade clássica através da eletrónica, a reinterpretação orquestral incluída no álbum Eternally Yours eleva o tema a uma nova dimensão cinematográfica. Ao substituir as texturas digitais por uma orquestra real, os Alphaville não se limitaram a fazer uma "cobertura" sinfónica de um êxito antigo; eles despiram a canção da sua armadura tecnológica para revelar a sua essência dramática.

Nesta versão, a introdução de cordas reais confere uma gravidade que o sintetizador dos anos 80, por mais sofisticado que fosse, não conseguia alcançar totalmente. O crescendo orquestral acentua o tom de tragédia e futilidade da letra, transformando o que era um "êxito de discoteca" num verdadeiro poema sinfónico. A voz de Marian Gold, agora mais madura e profunda, navega sobre os arranjos com uma autoridade que reforça a ironia e a melancolia da composição original. É, em muitos aspetos, o fechar de um ciclo: a canção que foi escrita sob pressão para ser um "produto comercial" acabou por se transformar, décadas depois, numa peça de arte erudita, provando que a boa música pop sobrevive a qualquer roupagem estética.

sábado, 8 de junho de 2024

Música do BioTerra: The Culture Club - The War Song

Melhor som aqui
Letra
[refrão]
War, war is stupid
And people are stupid
And love means nothing
In some strange quarters
War, war is stupid
And people are stupid
And I heard them banging
On hearts and fingers
(War)

People fill the world
With narrow confidence
Like a child at birth
A man with no defense
What's mine is my own
I won't give it to you
No matter what you say
No matter what you do

Now we're fighting
In our hearts
Fighting in the street
Won't somebody help me?

[refrão]

Man is far behind
In the search for something new
Like a Philistine
We're burning witches too
This world of fate
Must be designed for you
It matters what you say
It matters what you do

Now we're fighting
In our hearts
Fighting in the street
Won't somebody help me?

[refrão]

(War)

After the bird has flown
He walked ten thousand
Miles back home
You can't do that to me, no
You can't do that to me
You can't do that to me, no
You can't do that to me

(War, war)

In this heart of mine
I find a place for you
For black or white
For all the children, too

Now we're fighting
In our hearts
Fighting in the street
Won't somebody help me?

[refrão]

No more war
(War, war is stupid)
Said no more war
(And people are stupid)
Said war
(And love means nothing
In some strange quarters)
I said war
No more war
(War, war is stupid)
Said no more war
(And people are stupid)
Said war
(And I heard them banging
On hearts and fingers)

Said no more war
(War, war is stupid
And people are stupid)
I said no more war
(And love means nothing
In some strange quarters)
Senso hant-ai
(War, war is stupid
And people are stupid)
Senso hant-ai
Say no more war
(And I heard them banging
On hearts and fingers)
Say no more

No more war
(War, war is stupid)
Say no more war
(And people are stupid
And love means nothing)
Say no more war
(In some strange quarters
War, war is stupid)
And no more war
(And people are stupid)
Oh, war
(And I heard them banging
On hearts and fingers)
I said no more war

(War, war is stupid)
And no more war
(And people are stupid)
Oh, war
(And love means nothing
In some strange quarters)

Quando Boy George lançou o tema The War Song, tive uma reacção cínica e achei o video muito light: como é que o pessoal pode dançar com o sofrimento de tantas vítimas das armas e guerras? Algumas guerras são motivações espúrias e estúpidas: gente maluca, com ideias  neoimperialistas, eugenia, nacionalistas, falsas interpretações da realidade etc... Agora, que envelheci vejo o clip de outra forma. Há alguma ingenuidade do cantor, mas realmente o mundo devia ser mais divertido, baseado em jogos tradicionais, mais pacifista e aproveitar os bons momentos da vida, como por exemplo, dançar.

Crítica à ignorância e apatia em "The War Song"
Em "The War Song", dos Culture Club, Boy George utiliza um refrão repetitivo e direto - “War is stupid and people are stupid” (A guerra é estúpida e as pessoas são estúpidas) - para ironizar a forma simplista e superficial com que a sociedade encara a guerra. O próprio artista já afirmou em entrevistas que a opção por uma linguagem simples foi intencional, servindo como crítica à apatia coletiva e à glamorização dos conflitos. Excertos como “love means nothing in some strange quarters” (o amor não significa nada em certos lugares) reforçam a ideia de que valores humanos básicos são facilmente descartados em contextos de intolerância e violência.

A letra também aborda como o egoísmo e a intolerância alimentam guerras, exemplificado em “What's mine is my own, I won't give it to you, no matter what you say, no matter what you do” (O que é meu é meu, não te vou dar, não importa o que digas, não importa o que faças). Ao citar comportamentos como o de “um filisteu” e mencionar “queimando bruxas também”, a música faz referência à repetição histórica de perseguições e violência irracional. O videoclipe, com crianças mascaradas de esqueletos, reforça visualmente a mensagem de que a guerra destrói o futuro e a inocência. O apelo final por “no more war” (chega de guerra) e a inclusão de versos noutros idiomas, como “senso hant-ai” (anti-guerra, em japonês), ampliam o alcance da mensagem pacifista, tornando-a relevante para diferentes culturas.

domingo, 18 de dezembro de 2022

Música do BioTerra: Classix Nouveaux - Guilty


Don't say I know what you're thinking
It's plain to see
I see my opportunities shrinking
In front of me
I know you've made up your mind
But don't say
Although I know of no crime
It's the same
Guilty
Guilty you've found me

I wonder why you haven't the time for
The reasons why
To hear the truth might alter your mind or
Open your eyes

sábado, 10 de dezembro de 2022

Amazonia (Into The Light)

Amazónia (Into The Light) é um videoclipe de sete minutos em estilo documentário apresentando breves cenas da "vida quotidiana" da tribo indígena Huaorani da bacia do rio Amazonas no Equador contra as inúmeras ameaças à floresta amazônica que ameaçam seu modo de vida tradicional .

Desmatamento em larga escala por meio de extração de madeira descontrolada, aumento de incêndios e contaminação ambiental por meio de operações de mineração ilegais, bem como extração de petróleo e gás são ameaças constantes e crescentes aos meios de subsistência humanos e aos habitats de muitas espécies animais que dependem das florestas e ecossistemas ao redor do Rio Amazonas para sobreviver e prosperar.

O vídeo destaca a trilha sonora de "Into The Light" da suíte musical Regalia - The Enchanted Forest - uma trilha sonora orquestral melancólica e triste / composição de World Music com sabor étnico apresentando membros da Ethnic World Orchestra.

Música por Anthology Records e Peter Heckmann
Produção / Mixagem / Master: P. Heckmann para IPI Ltd. e Rose Records and Publishing

Videomakers: Wind Collective (Huaorani Tribe), Daniel Schua, Wilson Streibig e BlackBoxGuild (licenciado pela Artgrid e Envato Elements)

domingo, 4 de dezembro de 2022

Música do BioTerra: Drab Majesty - Not Just a Name


We all hoped to be finding the light
We were alone on the Earth, searching for someone alike
Your words made sense with the truth you possessed
Believing the call of our kind
Would be fine if we were divinely blessed

You said we would be recycled
Took a hold of our souls just make us the same
Called me something I wasn't it's not just a name
Take your time taking minds just to stay in the game
Made me someone I wasn't it's not just a name

We couldn't love, but you paired us together
To walk hand in hand
The irony
We couldn't make this world ours
Because it wasn't a part of the plan

You said we would be recycled
You said I would be recycled
Took a hold of our souls just make us the same
Called me something I wasn't it's not just a name
Take your time taking minds just to stay in the game
Made me someone I wasn't it's not just a name

Why do we do, like you?
Why do we do?

Made me someone I wasn't it's not just a name
You called me something I wasn't it's not just a name
You made me someone I wasn't it's not just a name
You called me something I wasn't it's not just a name

Biografia
Drab Majesty

Página Oficial
Drab Majesty

Youtube
Drab Majesty

quarta-feira, 23 de novembro de 2022

Música do BioTerra: Cocteau Twins- Rilkean Heart (versão acústica)


"Rilkean Heart"

Rilkean heart I looked for you
To give me transcendent experiences
To transport me out of self and aloneness
And alienation into a sense of
One-ness and connection ecstatic and magical

I became a junkie for it
I came looking for the next high
And I'm sorry

I've been putting the search on the wrong place
I understand that you're confused
Feeling overwhelmed
Well that's a feeling state from then
The reality, with cleaning up my emotion of life

And I'm getting in touch with myself
I'm beginning to ground myself
In my own sense of being as an entity
One entity on the planet

Becoming truly self-reliant and become connected
With something beyond me
That is where I have to go
I'm so sorry

I've been putting the search on the wrong place
You're lost and don't know what to do
But that's not all of you
That's your reality today
And that is all okay

I understand that you're confused,
Feeling overwhelmed
Well that's a feeling state from then
The reality

You're lost and don't know what to do
But it's not all of you
That's the reality today
And now it's all okay

I understand that you're confused,
Feeling overwhelmed
Well that's a feeling state from then
The reality

Rilkean heart

segunda-feira, 14 de novembro de 2022

Música do BioTerra: Cocteau Twins - Pandora (for Cindy)

Cocteau Twins - Pandora (video oficial)

Cocteau Twins - Pandora (album version)

Cocteau Twins - Pandora (Live at Black Sessions)

Cocteau Twins - Pandora (One Hour Long)

(I'm in love with hers) our room, a hot and big and kick and burn our group attack our tacky home
(I'm in the lights with him) I feel I'm cheating when I sing shudder and can I and mourn and 'tis an arm for us
(I'm at home in the lance) I feel I've been (Ferdinand and was sad a lot in her house)
(Falling over hers) feed me you've pretended if I were you to fall for her for little Ferdinand fast kettle
(Ferdinand and was sad a lot in her house) for good for better Fred is dead will flee ill feef aloof from waft a coffee effort
(I'm at home in lance) falled on yanks (Ferdinand and was sad a lot in her house)

Forty feet, forty franks
Fish fate, fiss fate, clean fish
Formidiable, formidiable, formidiable
Formidiable, formidiable, formidiable
Forty feet, forty franks
Fish fate, fiss fate, clean fish
Formidiable, formidiable, formidiable
Formidiable, formidiable, formidiable

(I'm in love with hers) our room, a hot and big and kick and burn our group attack our tacky home
(I'm in the lights with him) I feel I'm cheating when I sing shudder and can I and mourn and 'tis an arm for us
(I'm at home in the lance) I feel I've been (Ferdinand and was sad a lot in her house)
(Falling over hers) feed me you've pretended if I were you to fall for her for little Ferdinand fast kettle
(Ferdinand and was sad a lot in her house) for good for better Fred is dead will flee ill feef aloof from waft a coffee effort
(I'm at home in lance) falled on yanks (Ferdinand and was sad a lot in her house)
(I'm in love with hers) our room, a hot and big and kick and burn our group attack our tacky home
(I'm in the lights with him) I feel I'm cheating when I sing shudder and can I and mourn and 'tis an arm for us
(I'm at home in the lance) I feel I've been (Ferdinand and was sad a lot in her house)
(Falling over hers) feed me you've pretended if I were you to fall for her for little Ferdinand fast kettle
(Ferdinand and was sad a lot in her house) for good for better Fred is dead will flee ill feef aloof from waft a coffee effort
(I'm at home in lance) falled on yanks (Ferdinand and was sad a lot in her house)

Forty feet, forty franks
Fish fate, fiss fate, clean fish
Formidiable, formidiable, formidiable
Formidiable, formidiable, formidiable
Free emparted
Free emparted
Free emparted, free emparted, free emparted, free emparted, free emparted, free emparted

(I'm in love with hers) our room, a hot and big and kick and burn our group attack our tacky home
(I'm in the lights with him) I feel I'm cheating when I sing shudder and can I and mourn and 'tis an arm for us
(I'm at home in the lance) I feel I've been (Ferdinand and was sad a lot in her house)
(Falling over hers) feed me you've pretended if I were you to fall for her for little Ferdinand fast kettle
(Ferdinand and was sad a lot in her house) for good for better Fred is dead will flee ill feef aloof from waft a coffee effort
(I'm at home in lance) falled on yanks (Ferdinand and was sad a lot in her house)
(I'm in love with hers) our room, a hot and big and kick and burn our group attack our tacky home
(I'm in the lights with him) I feel I'm cheating when I sing shudder and can I and mourn and 'tis an arm for us
(I'm at home in the lance) I feel I've been (Ferdinand and was sad a lot in her house)
(Falling over hers) feed me you've pretended if I were you to fall for her for little Ferdinand fast kettle
(Ferdinand and was sad a lot in her house) for good for better Fred is dead will flee ill feef aloof from waft a coffee effort
(I'm at home in lance) falled on yanks (Ferdinand and was sad a lot in her house)

sábado, 12 de novembro de 2022

Música do BioTerra : 2 interpretações do Avé Maria de "Giulio Caccini"

Infelizmente é um erro atribuir esta ária a  Giulio Caccini. Na verdade, foi composta por  Vladimir Vavilov (1925-1973). Em 1970 Vavilov gravou e publicou esta canção no álbum “Lute Music of the XVI-XVII centuries", editado pela Russian Melodia , com a atribuição de “Anonymous”.

Não sou fatimista nem considero muito o culto mariano. No entanto, em termos estéticos e éticos, realmente o sofrimento de uma mãe vendo seu filho barbaramente assassinado pelos Romanos, deve ser indescritível. Tem que se ter Fé e acreditar que Cristo sofreu por nós, pecadores e que ressuscitou. 

Seleccionei 2 bonitas interpretações. Acho tão bonita cantada por mezzo-sopranos ou contra-tenores.


1. Nina Solodovnikova 


2. DiMaio


terça-feira, 16 de fevereiro de 2021

quinta-feira, 10 de setembro de 2020

Nazi hippies: when the New Age and Far-Right overlap



Last week, there were rallies in London, Berlin and LA against lockdown measures, and what was noticeable was they attracted both New Agers and far-right groups. I’ve written about this overlap before — how both the New Age and the far right (and left) are drawn to conspiracy theories.

We’ve seen this overlap with the fastest-spreading conspiracy theory — Qanon, which insists that an evil cabal of Hollywood celebs and liberal politicians (led by Tom Hanks and Hillary Clinton) are child-eating Satanists who control the world. Luckily, a secret government source called Q (who leaves cryptic comments on the website 8Chan) is gathering together a patriot army to fight back and support president Trump, who is a genius sent by God to defeat the evil cabal and usher in a new Age of Love.

This conspiracy theory, which would be a terrible movie plot, is surprisingly popular around the world and is beginning to influence American politics, to the extent that Congress is now debating a bipartisan bill to condemn it. And the Qanon cult has proved popular with both the Far Right and New Age influencers (here is an excellent podcast episode on how Qanon funnels New Agers into far-right thinking).

Some people are astounded that New Age hippies could have any overlap with extremist conspiracy politics. But it happens. This week, I want to look at another period when the New Age overlapped with far-right politics, with disastrous consequences for the world — Germany in the 1920s and 30s.

Fascism and the occulture

After the trauma of defeat in World War One and the despair of the depression [think Iraq War and 2008 financial crisis], Germany experienced a big occult revival. Germans turned to magical solutions for their problems, and that brought the ‘occulture’ into the mainstream.

The occulture is a sort of petri-dish of magical and alternative ideas — alternative medicine, eclectic spirituality, nature-mysticism and ecology, magic, drugs, conspiracy theories and — sometimes — radical politics. The occulture is by no means all bad (I’m a part of it) but it can be a breeding ground for millenarian and sometimes extremist politics.

Nazism emerged from this occulture, which in 1920s and 30s Germany took a very nationalist or ‘Volkisch’ colour — occult theories blended with Nationalist, anti-democratic and racist myths, as they are doing again today.

Leading Nazis like Heinrich Himmler and Rudolf Hess were hugely into New Age / occult spirituality. Reading about the sort of bonkers stuff they were into, it’s hard to believe they ever seized power and ran a country (then again, Trump’s team included Steve Bannon, whose favourite philosopher is occult thinker Julius Evola, also popular with 1930s fascists).

Here’s some of the New Age stuff leading Nazis were into:

a) Astrology

Germany’s two largest astrological organizations endorsed the Nazi party, as did Erik Jan Hanusson, the country’s leading astrologer. The Nazi regime also approved a Working Community of German Astrologers. Rudolf Hess and Himmler were both obsessed with astrology — Himmler hired several astrologers to try and find Mussolini when the Italian leader disappeared. The Nazis also created a ‘working group on cosmo-biological research’ within Goebbels’ Reich Chamber of Culture. Goebbels was fascinated by Nostradamus’ prophecies, which he thought predicted Nazi success — he organized propaganda campaigns to spread these prophecies in enemy countries.

b) Dowsing / divining

The Nazis backed an organization called the Society for Scientific Pendulum Research (GfWPF) to explore dowsing using a pendulum. In 1934, Hitler hired Germany’s most famous dowser, von Pohl, to police the Reich Chancellery for harmful death rays. German U-boat captain Hans Roeder created a Pendulum Institute to try and help the Germany Navy win the war in the Atlantic. Day after day dowsers were forced by the SS to stand ‘with their arms stretched out across the nautical charts’ just in case the pendulum made the slightest movement. It had no success.

c) Ley lines

Himmler’s SS conducted extensive research into subterranean geomantic energies and ley lines. Some projects included ‘Atlantian-Germanic Circles’, ‘triangles of Spirit’, and the ‘Aryan pentagram’.

d) Alternative medicine

Hitler, Hess, Himmler and many other leading Nazis were into alternative medicine, organic and vegetarian diets, homeopathy, anti-vaxxing, and natural healing. Hess, the deputy Fuhrer, opened a centre for alternative medical practices in Dresden in 1934. Himmler, meanwhile, supported alternative medicine — such as using plant extracts to heal cancer — and authorised experiments prisoners in concentration camps for this research.

e) Parapsychology

The first ever institute devoted to parapsychology research — the Paracelsus Institute — was set up under the Nazis, at the Nazi-founded Reich University of Strasbourg. The Nazis also set up an Institute for Occult Warfare.

f) Wholeness / Holism / Whole Earth / Eco-fascism

The Nazis, like many other Germans, were fascinated by holism, by the idea of ‘wholeness’ for the individual and for society — as a way of healing the divisions caused by rationalism, materialism, industrialism, and military defeat. This quest for wholeness led them to a sort of early environmental holism — they passed legislation to protect forests and rivers, and moved to ban experiments on animals (while authorising experiments on camp prisoners).

Greens today who think all we need to save the world is a ‘paradigm shift’ to an ecocentric world-view should realize you can hold such a view and also be a fascist. This is Ernst Lehmann, a Nazi professor of botany:

We recognize that separating humanity from nature, from the whole of life, leads to humankind’s own destruction and to the death of nations. Only through a re-integration of humanity into the whole of nature can our people be made stronger…This striving toward connectedness with the totality of life, with nature itself, a nature into which we are born, this is the deepest meaning and the true essence of National Socialist thought.

This eco-bio-politics, in which humans are an animal like any other, led in the Nazis’ case to eugenics — as with any other animal, the weak and sick specimens should be killed, and superior breeds (ie the Aryan race) should be protected against invasive species (Jews).

The Nazis were also huge fans of organic farming and of Rudolf Steiner’s biodynamic agriculture, which sees farming as a mystical communion with the land and its spirits / energies. Several leading Nazis supported this theory, and Himmler authorized experiments on it using slave labour in concentration camps.

They also promoted forms of nature-mysticism and nature-worship, as well as championing pre-Christian pagan rites like solstice festivals. To find out more about the Nazis’ eco-fascism, read this .

g) Mind-altering drugs

The Nazi government sponsored research into the use of mind-altering drugs to improve soldiers’ performance, and backed the widespread use of methamphetamine by soldiers to keep morale high. They also were the first government to back psychedelic research, experimenting with mescaline on camp inmates to see if it could be used to break their will.

h) Occult theories

Many Nazis were influenced by variants of Theosophy, an occult ‘spiritual science’ which emerged in the late 19th century, and which put forward a spiritual theory of evolution, in which humans’ spiritual progress is guided by ‘hidden masters’ via successive races. Theosophy was also popular with progressives, but its racial and authoritarian aspects attracted those on the Right.

The Nazis were drawn to German varieties of Theosophy, such as Ariosophy and ‘World Ice Theory, which were anti-democratic, and which saw the Aryan race as spiritual superbeings, locked in a cosmic war with subhuman races. These theories suggested that other races, such as Tibetans or the Brahmin class in India, were really Aryans — and the Buddha was actually a blond-haired ‘Nordic’.

This gave Nazis a license to indulge their fascination with eastern religions — Himmler always carried a copy of the Bhagavad Gita and encouraged his SS officers to practice yoga, seeing them as the modern descendants of the Indian warrior caste. He also sent an expedition to Tibet to meet the Dalai Lama and explore Tibetan magic.

i) Hitler as Guru
Hitler selling his fantasy of German supremacy. It rapidly fell apart when it came into contact with reality, but that didn’t stop him leading Germany into a death spiral.

If this all makes Nazis sound a bit like a New Age cult, then Hitler was very much its authoritarian guru. He was an enthusiastic reader of texts on magic and the occult, such as Ernst Schertel’s 1923 book, Magic: History, Theory, Practice, in which Hitler underlines passages like:

‘The man with the greatest force of imagination commands the world and creates realities according to his will instead of being the slave of an unsubstantial, bodiless empiricism.’ [This reminds me of Trump, a fan of the occult movement New Thought, in which reality is whatever you will it to be.]

Numerous Germans compared Hitler to a magician, a hypnotist, a medicine-man, who cast a spell on his listeners in his rally speeches. One German, Kurt Ludecke, recalls that after hearing Hitler, his ‘critical faculty was swept away’ by the ‘intense will of the man…. I experienced an exaltation that could be likened only to a religious conversion. I felt sure that no one who had heard Hitler that afternoon could doubt that he was a man of destiny, the vitalizing force in the future of Germany.’

His followers attributed occult powers to Hitler of insight, prophecy and infallibility, much like the more fanatical followers of Trump suggest he is playing ‘4 dimensional chess’, so that even his mispelt tweets contain occult wisdom.

In fact, Hitler was completely incompetent at the management of the war, rejecting expertise and relying on his own supposedly infallible intuition — he decided to invade Poland after seeing the Northern Lights and taking it as an omen. As with Trump, this magical ignorance infuriated his generals, and cost many lives (In Trump’s case, so far, tens of thousands, in Hitler’s case, many millions).

Like other gurus, Hitler was a malignant narcissist, willing to lead the entire nation to death and destruction rather than back down and admit his magical prophecies of a thousand-year Reich were fantasy.

j) Conspiracy theories and the cosmic battle between Us and Them

Finally, Hitler and his fellow Nazis sold the German people a simplistic supernatural fantasy and conspiracy theory, in which all their problems were caused by a hidden global elite of monsters / vampires / demons — ie the Jews — but the magical light-warriors of the Nazi party would defeat them in a cosmic battle, ushering in a golden age of peace and love. The Nazis fully bought into conspiracy theories themselves, like the Protocols of the Elders of Zion, which Hitler believed were genuine, but which were actually written and disseminated by Russian intelligence in around 1900, to foster anti-Jewish sentiment.

Doesn’t this sound like Qanon to you? All our problems are caused by a hidden Satanic elite — not a race, this time, but a secret cabal made up of demonic liberals from Hollywood, the Democratic Party and the Deep State. In the darkness, they perform their monstrous blood-rituals on children. But Trump, Q and a few other heroes will defeat these monsters, liberate enslaved humanity, and usher in a glorious age of peace and love. But for that to happen, democracy must be suspended and there must be awful bloodshed and retribution. ‘Now comes the pain’, as foaming Qanoners put it. A bloody purge is necessary. The demons need to be exorcised. Only then will there by Love and Unity. Any anti-Trump information is planted by the ‘lying press’ (a favourite Nazi term).


It’s an End of Days death cult, like Isis, like Nazism, like the Jim Jones cult. It is radicalizing people and ruining their lives through social media — people you may know and love, like the woman from Texas arrested last month for attacking various passers-by in her car because she said they were paedophiles. Her social media feed was full of Qanon posts about Satanists trafficking children. She’d been red-pilled, and is now going to prison.

It’s not clear who is behind the Q posts. A good theory is its Jim Watkins, the owner of 8Chan, where Q posts (if you were a deep state mole, would you post on a chatboard mainly used for Japanese porn?) Whoever is it, Trump allies like disgraced general Michael Flynn have openly supported it, and Trump — when asked about it last week — said Qanoners were patriots. This is a movement condemned by the FBI for fostering domestic terrorism. It is a fascist delusional fantasy, eagerly spread by Russian state trolls, that threatens Western democracy. Any sane Republicans should condemn it, and if a friend posts Q stuff on social media, let them know where the path leads. They might not go all the way down that path but they might unwittingly help others to do so.

However, we shouldn’t kid ourselves that this sort of toxic magical thinking only happens on the far-right. You can also find aspects of it on the far-left, in totalizing Us versus Them narratives like the idea all white people are racist, or all men hate women, or conspiracy theories that a secret cabal of Big Money (ie Jews) is destroying the planet. Black Lives Matter has at its heart an eminently fair and reasonable demand — the American police should be less trigger-happy in its policing, particularly of black communities. But it also occasionally turns into cultish thinking and witch hunts, particularly among white liberals, where unless you adopt the right terminology, read the right books, make the right ritualistic confession of your latent racism, you are evil.

As in Weimar Germany, there is a general occult revival happening at the moment — occult feminists, occult anti-racists, occult environmentalists…Faith, magic and spirituality can infuse many forms of politics. But the ecstatic needs to be balanced with the pragmatic, the rational, and with respect for law and democratic process.

I am not claiming that New Age spirituality inevitably leads to extremist politics. There are plenty of New Age centrist liberals, who are open to ecstatic experiences and non-materialist metaphysics, and also into critical thinking and democratic processes. I try to achieve that balance myself.

What I am saying is we shouldn’t be bewildered by the present overlap between the New Age and extremist conspiracy thinking. It’s happened before.

Sources:

There’s quite a few junk or semi-junk books on Nazis and the occult, but I drew on Eric Kurlander’s Hitler’s Monsters (which has had both good and bad reviews) and Nicholas Goodrich-Clarke’s The Occult Roots of Nazism, as well as Norman Ohler’s Blitzed.

For QAnon research I drew on the Qanon Anonymous podcast, which is great , and also read some Qanon books from Amazon (like the awful ‘Qanon: Invitation to the Great Awakening). This is a good piece, by Martin Winiecki — ‘6 reasons so many spiritual people have been fooled by Qanon’. The Conspirituality podcast is also worth a listen. And this 1995 New Statesman piece by Matthew Kalman — ‘New Age Nazism’ — was prophetic.

Finally, check out new book Breaking Open: Finding a Way Through Spiritual Emergency. I talk about it here. It has stories by contributors to help people navigate through chaotic times without falling into simplistic paranoid narratives. I also write a weekly free newsletter which you can sign up for here.

domingo, 22 de setembro de 2019

Blavatsky, ONU e Democracia



Nem sempre o público percebe com facilidade qual é a relação entre o movimento teosófico e a democracia. Alguns estão desinformados a respeito da posição da filosofia esotérica diante de fenómenos como o nazismo, o fascismo e outras formas de ação autoritária.
 
Para obter uma perspectiva mais clara da questão, será útil recordar certos fatos básicos da história. Eles nos fornecem pistas sobre a misteriosa ligação dinâmica entre o trabalho de H. P. Blavatsky no século 19 e a situação humana na primeira parte do século 21. Há “coincidências” interessantes e alguns indícios numerológicos que podem ser organizados em cinco itens. 
 
1) Helena Blavatsky construiu a base conceitual de uma fraternidade universal da humanidade que é inseparável do sentimento de respeito em relação a cada povo, cada cultura e cada indivíduo. No plano oculto, não é mera coincidência o fato de que o  final da Segunda Guerra Mundial na Europa e a vitória dos países democráticos contra o nazismo são celebrados  exatamente no mesmo dia em que a sra. Blavatsky encerrou a sua encarnação. A fundadora do movimento esotérico moderno morreu em 8 de maio de 1891. A Guerra na Europa acabou em 8 de maio de 1945. 
 
2) Harry Truman, o presidente dos EUA que liderou os momentos finais da Segunda Guerra Mundial, nasceu precisamente a 8 de Maio, em 1884. Ele foi o 33º presidente. 
 
3) O movimento teosófico foi fundado em 1875, na cidade de Nova Iorque. A Organização das Nações Unidas foi criada em 1945, exatamente sete décadas ou setenta anos depois. A sede está estabelecida em Nova Iorque. Isto é, na mesma cidade onde o movimento teosófico foi fundado. 
 
4) A Carta das Nações Unidas começa com uma vigorosa proclamação do primeiro objetivo do movimento teosófico – a Fraternidade Universal.  Embora esteja longe da perfeição, o movimento teosófico é uma semente de fraternidade universal, do mesmo modo que a ONU é um instrumento da sua germinação no plano visível e externo. É inútil acusar uma muda de árvore de não ser uma árvore adulta. 
 
5) A criação do movimento teosófico em 1875 serviu como um modelo oculto ou arquétipo para a ONU, mas a concepção do movimento não foi um processo inteiramente novo. Os EUA, como país, foi uma profunda fonte de inspiração para a estrutura do movimento teosófico.  
 
HPB escreveu: 
 
“Nascida nos Estados Unidos, a Sociedade foi constituída seguindo o modelo do seu país natal.  Este último, omitindo da sua Constituição o nome de Deus para que isso não fosse um dia um pretexto para se fazer uma religião de estado, oferece igualdade absoluta nas suas leis para todas as religiões. Todas elas apoiam o Estado e são por sua vez protegidas por ele. A Sociedade, modelada de acordo com esta Constituição, pode ser corretamente chamada de ‘uma República de Consciência’.” [1] 
 
Por isso,  se de vez em quando as políticas do governo dos EUA refletem aspectos negativos do atual carma humano,  e parecem em muitos aspectos erradas e injustas, pode ser sábio deixar que passem mais alguns séculos –  talvez mais alguns milhares de anos –  antes de ficarmos muito frustrados.  
 
Enquanto isso, podemos tomar conta da nossa própria e até certo ponto precária “República de Consciência”,  o movimento teosófico, a futura árvore de fraternidade universal. Estaremos  cumprindo o nosso próprio dever da melhor forma possível? Somos uma saudável fonte coletiva de inspiração para o resto do reino humano? Estamos nós livres de “reis”, “papas”, “bispos” – e “candidatos a estes papéis”,  no movimento teosófico como um todo? 
 
Não existe, provavelmente, separação oculta entre os diferentes grupos teosóficos, nesta “república de consciência”.  E  esta ausência de separação interna cria uma responsabilidade comum para cada um e para todos os estudantes de teosofia.  
 
Essa responsabilidade pode incluir uma parte significativa do destino da humanidade nas próximas décadas e nos séculos que virão. 

segunda-feira, 20 de novembro de 2017

Música do BioTerra: Yazoo - Don't Go


Came in from the city
Walked into the door
I turned around when I heard
The sound of footsteps on the floor
Love just like addiction
Now I'm hooked on you
I need some time to get it right
Your love's gonna see me through

[Refrão] Can't stop now, don't you know?
I ain't never gonna let you go
Don't go

Oh, baby, make your mind up
Give me what you got
Fix me with your lovin'
Shut the door and turn the lock
Hey, go get the doctor
Doctor came too late
Another night, I feel all right
My love for you can't wait

[Refrão] 

Came in from the city
Walked into the door
I turned around when I heard
The sound of footsteps on the floor
Said he was a killer
Now I know it's true
I'm dead when you walk out the door
Hey, babe, I'm hooked on you

[Refrão- 8X ]

Don't go [4x]

quarta-feira, 24 de fevereiro de 2016

Encontros improváveis: Ana Luísa Amaral e Oregon- "The Silence Of A Candle"


DA COMUM CLARIDADE
Há um saber qualquer
que há-de ser semelhante ao das estrelas
no seu mais fino fio ausente colisão:
é quando as coisas se ampliam, ou se abrem,
ou muito simplesmente
se incendeiam
Estará decerto no amor esse saber,
e por isso talvez do coração
diziam os antigos ser o meio,
o centro do pensar
Talvez assim também
entre a cor da paisagem
e o recordar de cor
um rosto, uma janela quase circular,
um levíssimo gesto antecipado,
pode haver o mais óbvio
comum a universo:
explosão de estrela nova gerando
outras estrelas, ou mesmo
revogando a antiga luz
Mas em tal comprimento de energia
que o átomo foi,
desconcertado,
de encontro ao mais vazio,
tenta reconcertar outro
caminho
de onde: novo saber,
um brilho novo
transversal a tudo
Quanto ao humano,
sublunar na sua imperfeição,
cinde-o a maravilha do cuidar,
e só lhe resta amar –
o que o perfaz, em soma,
igual ao fogo de que é feita
a estrela –
Ana Luísa Amaral, in “E todavia”, Assírio & Alvim, 2015

sábado, 30 de agosto de 2014

48 anos- Mensagem de agradecimento


Venho por meio desta postagem musical agradecer a todos os que se lembraram do meu aniversário. Os que ligaram, os que apareceram e os que enviaram mensagens - muito obrigado!

quinta-feira, 22 de maio de 2014

Essential Teachings of Helena Blavatsky and Rudolf Steiner


Allen Pittman e Bryan Lynch fazem uma revisão dos ensinamentos essenciais de duas figuras históricas: Helena Blavatsky, fundadora da Sociedade Teosófica, especializada nos ensinamentos do Oriente (particularmente o budismo esotérico), e Rudolf Steiner, fundador da Antroposofia, especializado nos ensinamentos do Ocidente (particularmente o cristianismo esotérico). Ambos trabalharam em conjunto e separadamente para incorporar os ensinamentos da Nova Era.

Esta palestra foi apresentada à Rede de Fóruns GBH pela Sociedade Teosófica de Atlanta, uma loja local filiada na Sociedade Teosófica da América e na Sociedade Teosófica Internacional (Adyar). A Sociedade Teosófica é uma organização mundial fundada em Nova Iorque, a 17 de novembro de 1875. A Sociedade procura unir as pessoas; conciliar as religiões, as filosofias e as ciências do Oriente e do Ocidente; e aumentar a consciência da Realidade Interior presente em cada ser humano

domingo, 5 de janeiro de 2014

União segundo Alexandre o Grande



"— O talento foi o maior vício de Alexandre. Até hoje ninguém o superou. Mas, como dizia Platão, “as pessoas de bem não querem governar nem pelas riquezas nem pelas honras”. Isto põe Alexandre fora da lista dos homens de bem? — Quem diz que eu o amava por ser um homem de bem? — Era por ser visionário? — Era porque havia nele bondade; provou-o muitas vezes. É o talento maior que alguém pode ter. — Isso é — disse eu. Não me ocorreu dizer mais nada." 
Agustina Bessa-Luís. Excerto de Autêntica n.º 7, Leça do Balio-Matosinhos: Unicer, 2007 

Texto completo aqui

sábado, 22 de junho de 2013

David Hannan e Kamal Engels- "Enchanted Worlds"


Featuring amazing under water footage by David Hannan, Kamal created this video to illustrate his track "Enchanted Worlds". hightlight is a stunning sequence with a surreal seahorse that almost looks like CGI created, but is the real, beautiful, living thing.

quarta-feira, 23 de dezembro de 2009

Ofra Haza - Forgiveness


Ofra Haza with Nusrat Ali Fateh Khan
from CD The Prayer Cycle 1999 of Jonathan Elias (Sony)
Offically last recorded Ofra's song
Words from The Bible - Psalm 23:
The Lord is my shepherd; I shall not want.
Even when I walk in the valley of Darkness
May only goodness and kindness pursue me all the days of my life

O Ciclo de Orações é um álbum coral/orquestral do compositor americano de bandas sonoras para cinema e televisão Jonathan Elias. O álbum foi lançado pela Sony Classical Records nos Estados Unidos a 23 de março de 1999.

O projeto, gravado e misturado pelo co-produtor R. Walt Vincent, consiste numa sinfonia coral contemporânea em nove partes, em treze línguas (húngaro, maliês, suaíli, dwala, tibetano, alemão, francês, urdu, latim, inglês, italiano, hebraico e espanhol). Nas notas do livrete do álbum, Elias descreveu a obra como "um conjunto de nove orações em adágio" influenciadas pelas suas "visões pessoais" sobre o futuro da humanidade e o poder da oração em diferentes culturas. Os músicos que contribuíram "utilizaram poemas que [ele] escreveu como inspiração, interpretando as palavras à sua maneira, em diversas línguas e cantos". Mais informação aqui